Architecture often carries the burden of inaccessibility to those outside the field. This critical essay examines the meaning of communication, both at the scale of the architectural detail and structural typology.
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Vividly colored gems are beginning to populate the desert skyline in El Alto, Bolivia. The designer of these polarizing pieces, Freddy Silvestre Mamani, brings more than interesting color and geometry to the table in the creation of this technicolor wave—what does this new invasion mean to the architecture and peoples of Bolivia, in object, process and product?
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